White Mystery, The Evil Streaks
Fri, November 2, 2018
Doors: 8:00 pm / Show: 8:45 pm (event ends at 12:30 am)ONCE Ballroom
$26.50 - $30.00
This event is minors under 18 with parent or legal guardian
Crossroads Presents Roky Erickson at ONCE Ballroom
with White Mystery + TBD
$26.50 advance/ $30 day of show
8pm doors/ 8:45pm day of show
Lounge opens upstairs at 6pm for drinks and hanging out!
(And play a game of pool, pinball or board games!)
Tickets are available for purchase online until 5pm day of show
Walk up tickets are available for cash purchase only, at the door, day of show after 6pm
Physical tickets are CASH ONLY and available at:
A Curated World by Kay McGowan
160 Highland Ave
Wed - Fri: 1pm to 8pm
Sat - Sun: 12pm to 6pm
The record's success earned the 13th Floor Elevators a deal with International Artists, but as their fame grew, so did their notoriety with local law enforcement officials, who took exception to the group's heavy experimentation with (and public support of) marijuana and LSD. The Elevators became the subject of considerable police harassment, and after Erickson was arrested for the possession of one lone joint in 1969, he pleaded insanity to avoid a prison term. A three-and-a-half year stint in the state's Hospital for the Criminally Insane followed; Erickson was diagnosed as a schizophrenic, and subjected to extensive electroshock therapy, Thorazine, and other psychoactive treatments.
Though released from the hospital in 1973, Erickson was never the same person; he returned to performing with a new band, the Aliens, but his songs -- a series of horror film-influenced records including "Red Temple Prayer (Two-Headed Dog)," "Don't Shake Me Lucifer," and "I Walked with a Zombie" -- found little success. He did retain a devoted cult following, however, but his popularity was fully exploited by managers who took advantage of his instability to draw the singer into a series of unfair publishing contracts that resulted in a steady stream of unauthorized releases from which Erickson earned not a cent. In 1982, he signed a legal affidavit declaring that a Martian had taken residence in his body, and gradually disappeared from music as the decade wore on.
Where the Pyramid Meets the Eye: A Tribute To Roky Erickson By the '90s, Erickson was struggling to survive on a $200 monthly Social Security stipend; after an arrest on mail theft charges (later dropped), he was re-institutionalized. In 1990, however, artists like R.E.M., ZZ Top, John Wesley Harding, and the Jesus and Mary Chain recorded his songs for the album Where the Pyramid Meets the Eye: A Tribute to Roky Erickson, which brought his work to a wider audience than ever before. In 1993, Erickson performed publicly for the first time in many years at the Austin Music Awards; a few months later, he returned to the studio with guitarists Charlie Sexton and the Butthole Surfers' Paul Leary to record a number of new songs. In 1995, Leary's bandmate King Coffey released Erickson's All That May Do My Rhyme on his Trance Syndicate label; four years later, Trance issued Never Say Goodbye, a collection of rare, private recordings or unreleased Erickson compositions. (Coffey claims Erickson told him he was the first person to ever give him a royalty check for his music.)
In 2001, Sumner Erickson, Roky's brother and a successful classical musician, obtained custody of Roky, who had fallen into poor health. Under Sumner's watch, Roky began receiving proper medical and dental care for the first time in years, as well as more effective treatment for his psychological problems. Sumner also set up a charitable trust to help finance his brother's care, and with the help of sympathetic lawyers, attempted to sort out the legal red tape that prevented Roky from being paid for his music. A fit and relatively lucid Roky Erickson began making occasional public appearances in Austin, TX, and in March 2005, Roky spoke as part of a panel discussion on the 13th Floor Elevators at the South by Southwest Music Conference. Roky also made a brief musical appearance with a reunited lineup of the Explosives, and a documentary on Erickson, You're Gonna Miss Me, premiered at the affiliated South by Southwest Film Festival. This burst of activity coincided with the release of I Have Always Been Here Before: The Roky Erickson Anthology, a two-disc career overview compilation. Halloween, a set of live recordings from 1979-1981 with the Explosives, was released in early 2008. The Will Sheff-produced True Love Cast Out All Evil, Erickson’s first new studio album in some 14 years, appeared from Anti in 2010.
Witness for yourself what Pitchfork calls, “jovial rock’n’roll delivery and DIY sensibility.”
156 Highland Ave
Somerville, MA, 02143